Lawrence Boothby doesn’t think much of sculptor Jamie McCartney’s plaster vulvas: Pale, monochrome, rigid, dry, repeated - it was interesting to me how the medium of plaster, the context of the exhibit, the isolation of one part of a woman's body from the rest of her body (and emotions), and repetition, alters a viewers' perception. For artistic purposes, the 400 tiles could have been of almost any set of objects that were similar yet unique. Four hundred color photographs of the same size would have better captured the beauty of vulva including their hair, but he wouldn't have been able to...

26 March, 2011

English sculptor and prop maker Jamie McCartney arranged 400 plaster casts of vulvas into a nine-meter polyptych, to be displayed at the Brighton Festival Fringe in May. The project took five years and a quarter ton of plaster. Subjects ranged in age from 18 to 76, and included mothers, daughters, identical twins, transgendered men and women, one woman before and after giving birth, and another before and after labiaplasty (a practice McCartney hopes his exhibition will discourage). For many women their genital appearance is a source of anxiety and I was in a unique position to do something about that. Vulvas...

19 March, 2011