How a video goes viral: Sometime on Wednesday, Halifax filmmaker Andrea Dorfman uploaded her lovely video, featuring Tanya Davis's poem about solitude, to YouTube. At 6:38 a.m., Friday, when Halifax artist Shelagh Duffett reposted the video to her website, it had been viewed 40 times. Kimberley Mosher, an account manager for a Halifax Advertising agency, saw it on Shelagh's site and put it on her Facebook page, where, in turn, fashion blogger Allison Garber saw it and reposted the link to her FB page. All this happened in less than three hours. Allison's and my mutual friend (and brilliant, Baddeck-based communications strategist) Stacey Pineau sent me the link...

03 August, 2010

One of the nice discoveries in my role as manager and chief film-picker for the Cape Breton Island Film Series has been the movies of Ramin Bahrani, the Iranian-American director of dramas like Man Push Cart, Chop Shop, and Goodbye Solo. Bahrani portrays the extraordinary lives of ordinary people in a naturalistic style that is almost documentary in character. We were the only film series in Canada to show Chop Shop; by the time Goodbye Solo came out a year later, Bahrani's movies were de rigueur on the indie circuit. Bahrani grew up in Winston-Salem, North Carolina. Roger Ebert calls him...

21 March, 2010

[caption id="attachment_4532" align="alignleft" width="150" caption="Pedro Almodóvar"][/caption] Last Thursday, the Cape Breton Island Film Series showed Pedro Almodóvar's Broken Embraces, which Roger Ebert describes as, "a voluptuary of a film, drunk on primary colors, caressing Penelope Cruz, using the devices of a Hitchcock to distract us with surfaces while the sinister uncoils beneath." It's a lush, layered melodrama, with lots of surprises hidden among its folds, including this utterly unexpected footnote to Contrarian's conversation about whether medical science should try to "cure" Down syndrome. The central character, Harry Caine (Lluís Homar), is a movie director who turns to script-writing after a brutal car...

20 February, 2010