Tagged: L’Arche Cape Breton
The purpose of country music, explained

Cape Bretoner Gordie Sampson now lives in Nashville, where he produces about 75 song demos a year, mostly in the country-pop vein. In a CBC Radio interview this morning, he reflected on what makes country music different:
I write country song for the most part… The lyric is more important in this genre than really any genre I think. The lyric and the melody together really has to move the listener. In R&B or other types of modern music, the idea is to make people dance. In country music it’s, often times, its to hurt people’s feelings. To make them re-think that relationship that they just ended last week. It’s a bit more visceral.
The full interview, part of the Information Morning Cape Breton’s excellent Leaders in their Field series, is we well worth a listen. Gordie will be back in Cape Breton Sunday for the Cape Breton Island Film Series annual benefit for l’Arche Cape Breton.
The Old Hen – a moral authority and a role model
Christian Lüdde of Germany, who worked as an assistant at L’Arche Cape Breton in 2002 and 2003, writes:
I… was fortunate to live [in Janet Moore's residence].
I very much appreciate the way Jenn kept us informed on Janet’s state and I also appreciate the very appropriate words you found to briefly describe Janet’s impact. You are right, it is hard to overstate her impact on L’Arche Cape Breton and many individuals like me. Janet was nothing short of a moral authority for me, a role model that I slowly learned to accept. So I thank you for your article and try to think that remembering somebody like Janet makes me sad, but really should make me smile and feel warm in my heart. Because this is her legacy.
The Old Hen
Janet Evaline Moore, founder of L’Arche Cape Breton, died peacefully last night at her home in Orangedale, two days before her 63rd birthday.
Tom and Ann Gunn invited Janet to live with their family in 1983, marking the start of an intentional community that is now home to some 25 Core Members and a varied group of assistants from Cape Breton and around the world.
Janet Moore was a gentle, funny, loving woman, with an out-sized capacity to move and inspire people around her. She and her long-time friends, Cathy Brady and Mary LeBlanc, the Old Hens, enlivened events at L’Arche with a running commentary from the sidelines — a cross between a comical Greek chorus and a kinder, gentler version of the Muppets’ Statler and Waldorf.
Janet adored the Cape Breton singer Rita MacNeil, who graciously hosted a 60th birthday party for her at Rita’s Tea Room in 2007.
Over the last two years, Janet underwent the steep decline that often overtakes people with Down Syndrome in their 50s and 60s. She spent her last days at The Vinyard, a L’Arche residence in Orangedale, surrounded by friends who stroked her hair, held her hands, and sang quietly to her.
“Our community is making a significant passage as we say goodbye to Janet,” Community Leader Jenn Power wrote in an email to L’Arche friends early this morning. “We know life will feel different now, but we know just as surely that Janet’s faithfulness to the mission of L’Arche will continue to be our example.”
It is difficult to overstate the impact Janet had on everyone at L’Arche, or the sadness that will be felt there, and among the far flung diaspora of former L’Arche assistants around the world.
The wake will take place from 10:00 am to 9:00 pm on Janet’s birthday, Saturday, at The Vineyard in Orangedale. The funeral will be at 2 p.m., Sunday, in the L’Arche Chapel at Iron Mines, with a reception to follow in Orangedale.
In Sydney this Saturday
If you are in or near Sydney this Saturday, here’s an event to enjoy:
The L’Arche Cape Breton Springfest show, an annual tradition in Judique, expands this year to Sydney. The program features two short videos produced at the community, a short play featuring L’Arche core members and assistants, and a selection of desserts from the Cocoa Pod—all for $15. There’s also an auction with Leo Cox of Mabou swinging the gavel.
NY Times picks up our Down syndrome thread
Motherlode, a New York Times blog on parenting, has picked up on Contrarian’s discussion about potential treatments for the intellectual impairment associated with Down syndrome — and touched off quite a debate of it its own.
Our own discussion began with L’Arche Cape Breton Community Leader Jenn Power’s disquiet at the assumption that Down syndrome constitutes a disease in need of curing. Jenn, who is both the adopted mother of identical twins with Down Syndrome and — disclosure — my daughter-in-law, spoke eloquently of Down traits that don’t need fixing:
[I]ncredible smiles, overflowing affection, stubbornness, great sense of humour, cute toes, love for orange pop and Rita MacNeil, endless capacity to forgive… the list goes on and on. I am not sure I can articulate why, but I find this article both upsetting (lump in my throat and eyes welled with tears right now) and disturbing. Why does everything need a “cure?”
The Times quoted at length from Jenn’s subsequent, more detailed Contrarian post, and from Stanford University researcher Dr. Ahmad Salehi’s thoughtful response here as well. Motherlode’s thread on the subject has now attracted more than 100 comments. Several are thoughtful and constructive, but a shocking number come from people quick to condemn Jenn as “selfish” or “patronizing” for not jumping at the chance to chemically enhance her sons’ cognitive skills.
Many Contrarian readers are familiar enough with Jenn to know her life is the antithesis of selfishness. As I wrote in my own comment on Motherlode:
As the leader of this extraordinary [L'Arche] community, Jenn manages an incredible range of human emotions, trials, joys, and tribulations, along with the myriad practical details required to manage any large group of diverse people. She does this with enormous tact, kindness, generosity, wisdom, humor, firmness, practicality, and love. And immense hard work.
From this I conclude that, despite decades of progress integrating developmentally challenged citizens into society, we have a long way to go in overcoming the kneejerk tendency to view people like my grandsons as less good and less valuable than the rest of us. That’s our loss as much as it is theirs.
In a separate post aimed at New York Times readers, I will include links to all our Down syndrome posts, and to several short videos featuring the extraordinary folks at L’Arche Cape Breton, including my esteemed two grandsons, Josh and Jacob.
An infelicitous phrase – updated
The Harper Government’s ambivalent attitude toward immigration deserves more thoughtful consideration than I have time for this morning, but in light of yesterday’s release of a new guide for prospective Canadian Immigrants, a manual high in testosterone and shy on environmental values, I flag it here for future discussion.
An immigrant himself, Contrarian left yesterday’s Film Series benefit for L’Arche Cape Breton* thinking about the Senegalese immigrant cab driver at the centre of the featured movie — an ebullient character named Solo, brilliantly played by Souleymane Sy Savane, himself an immigrant to the US from the Ivory Coast. Solo is one of those characters you instinctively root for, a guy who makes you proud to live in a country that welcomes immigrants of all stripes.
As I left the theatre with these thoughts running through my head, I flipped on the radio to hear Immigration Minister Jason Kenney hectoring would-be immigrants about their responsibilities:
When you become a citizen, you’re not just getting a travel document into Hotel Canada. You are inheriting a set of responsibilities, of obligations as a citizen.
A travel document into Hotel Canada. Perhaps it was merely an off-note in an otherwise skillful presentation, but the minister’s infelicitous phrase was striking for its portrayal of the immigrant as other, while its vehemence conveyed deep conviction. Comments welcome.
[Updated] Dennis Falvy demurs:
If the concept of ‘other’ is bothersome, how does one approach the definition of being Canadian? Unless ‘Canadian’ means ‘citizen of the world’, there will have to be a distinction between being a Canadian, and not being a Canadian, a distinction that leads ineluctably to being the one or the ‘other’.
And even if one favours the concept of being a citizen of the world, the seats of power, and sources of human abuse, in the world do not accept this idea yet, and there is no apparatus to support or enforce it. I for one would prefer that my citizenship distinguished me from some of the rest of the world, and being Canadian works just fine (at least until Stephen Harper succeeds in bamboozling voters into allowing him to destroy the country).
As for testosterone playing a large part in the new citizenship manual, I presume you are referring to the part played by the military in Canadian history. The thousands of women who have served and sacrificed for Canada, especially those now serving, would no doubt find fault with your choice of words, particularly this close to Remembrance Day. Now that was an infelicitous phrase.
Miles Tompkins draws a connection between Kenney’s musings and his government’s treatment of Maher Arar:
“When you become a citizen, you’re not just getting a travel document into Hotel Canada. You are inheriting a set of responsibilities, of obligations as a citizen.” Yes, and when you are a Minister of the Crown, you also have a set of responsibilities under international treaties which are the law of the land. There is a bit of an obligation there.
(*) Ironically, L’Arche Cape Breton relies heavily on temporary foreign workers, young people who spend a year or two in the community before returning to their native lands. Their work features long hours, few days off, intense personal care of men and women with significant developmental disabilities, and the extraordinary personal growth that comes from that experience in the L’Arche context. In some cases, the work these young people do fulfills the national service obligations of their home country.
O what a party!
At Sydney’s Waterfront Pavillion Thursday night, it’s The Party Of The Year — and that’s saying something in Cape Breton!
The Cape Breton Island Film Series‘ 4th annual benefit for L’Arche Cape Breton gets under way at 7 pm at the Empire Theatre with the acclaimed indie film GOODBYE SOLO, the story of two men from completely different backgrounds who form an unlikely friendship.
At 9, the action shifts to the Joan Harriss Cruise Pavillion, next to the Big Fiddle, for live music and dancing to the Blues Merchants and Cape Breton’s best Lebanese buffet. The whole L’Arche Community will be there, and they love to party. So it’s a chance to meet a remarkable group of men and women.
Tickets, available at the door, are $10 for the film; $20 for the party; or just $25 for both. Every dollar goes to L’Arche, thanks to the generosity of AECOM, AMEC, CBCL, City Printers, Conestoga Rovers, Empire Theatre, Framework Cycle and Fitness, Ramsay’s Honda, Sampson MacDougall, Schwartz and Co., Seaside Wireless, Sydney Credit Union, Unsworth Kachafanas, VMP Group.











